Tag: science fiction

Attending the World Fantasy Convention

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A couple of weekends ago I was fortunate to attend the World Fantasy Convention in Brighton, UK which is an hour or so’s train ride from where I live. A fine time was had! Although I’ve got two World SF Conventions under my belt (Dublin in 2019 and Glasgow in 2024), this was my first World Fantasy Con. It was very cool with lots of great guests in attendance, and had the advantage of not being too crowded, yet well-attended. (And also superbly run by the organisers).

There was a great mix of panels and events, and a chance to catch up with some friends I hadn’t seen for a while. The convention hotel was very spacious and accommodating, with a good mix of rooms catering to different audience capacities, laid out across multiple floors – and connected by suitably maze-like corridors, connecting doors and ‘secret’ entrances. (There were rumours that the people we passed in the corridors who looked particularly harried were guests from the 2013 World Fantasy Con still trying to find their way out – but might just have been late night revellers).

One of my personal highlights was getting to chat with author (and editor!) James Logan after a panel he was part of. He was full of sage advice and general publishing wisdom. He very kindly signed a copy of his fantasy novel The Silverblood Promise which I started reading back in my hotel room, and I have to say it is a most excellent book. The second in the series (The Blackfire Blade) has just been published and it’s going straight on my TBR list.

Another highlight was seeing science fiction magazine ParSec win the 2025 British Fantasy Award for Best Magazine/Periodical. ParSec is a great SF/F magazine edited by the incomparable Ian Whates and I don’t think it gets enough mention. Obviously I am a little biased, having published my story Pennies in the Meme Jar back in ParSec issue 8, but the quality has always been very high, and in an era where high-quality SF/F outputs seem to be disappearing, ParSec has an important role to play. Let’s hope the BFA win brings in new readers and new subscriptions. (Subscriptions are available here).

One other thing that took my fancy was just along the sea front from the convention hotel. Brighton has a panoramic viewing tower called i360 which has a large viewing capsule that ascends a tall concrete pillar. Even though I’m not a great lover of heights, I quite fancied having a trip up – but alas, whenever I had free time away from the convention, the weather conditions weren’t right. (Brighton at the end of October is windy!). But I could see it from my hotel window and even in the middle of the night the capsule seemed to roost two thirds of the way up the tower. What I particularly liked was that if you got up close and tilted your head just so, without quite taking in the top of the column, it was possible to imagine it as an orbital tower with the capsule transporting passengers up to geostationary orbit.

Cover reveal – Vivid Worlds anthology

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Today (7th March 2025) is the start of the 5th World Conference on Climate Change and Global Warming in Vienna so it’s an auspicious day for the wonderful folk at The Slab Press to be launching the cover reveal for their latest anthology: a climate-themed solar punk collection of stories entitled Vivid Worlds.

Isn’t this a spectacular book cover?

The cover was designed by Welsh designer Paul Alex Condie. The anthology will be formally launched at Eastercon in Belfast next month, although sadly I won’t be there to see it.

I’m thrilled to have a story included in the anthology and can’t wait to read the other contributors. You’ll find more details of how to order a copy (paperback or ebook) on The Slab Press’s website very shortly. In the meantime, here’s the full list of authors and stories:

Holly Schofield, Oil and Water 

Cécile Cristofari, Tractors in the Mist

R.J.K. Lee, Don’t Blame the Tanuki Temple Thief

Toshiya Kamei, Post-Apocalyptic Survey of the Heart of Hokkaido

Ana Sun, Emily’s Farewell Coat

Rose Maxwell, Echolocation

Caolán Mac An Aircinn, Once More Unto the Breach

Cecil Wilde, The Story Keepers

Sierra Bibi, Blood and Water

Sue Oke, Final Report

Corey Jae White, Solar Strike

David Cleden, Going Out on a Limb

David Mancera, Through the Crimson Forest (translated by Monica Louzon)

Kay Hanifen, A Prayer on Rosary Peas

Liam Hogan, Low Tide at the Green Lagoon

Morgan Melhuish, Finding Armillaria

Nicholas Jay, The Mango Keeper

Rick Danforth, One Step at a Time

C. J. Hooper, The Cymric Sea

Shanna Yetman, Megacity Melancholy

BSFA Award Winners

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Many congratulations to all the winners of 2023 BSFA awards which were announced at last weekend’s Eastercon in Telford, UK.

The full list of winners in all categories can be found here, courtesy of Locus magazine.

It felt like a very strong shortlist across all the categories and I’m looking forward to catching up on some gems on the shortlist I might otherwise have missed.

Amongst the deserving winners, I was particularly pleased to see Best of British Science Fiction 2022 (edited by Donna Scott) take first place in the Best Collection category. These anthologies have long been a favourite of mine, showcasing British science fiction talent – and of course I was thrilled to be included in the previous year’s volume with my story How Does My Garden Grow? Many, many congratulations to Donna Scott for getting much deserved recognition for her editing, and to Ian Whates and the whole publishing team at Newcon Press.

Full shortlist and winners:

Best Novel

  • WINNER: The Green Man’s Quarry, Juliet E. McKenna (Wizard Tower)
  • Descendant Machine, Gareth L. Powell (Titan)
  • Airside, Christopher Priest (Gollancz)
  • HIM, Geoff Ryman (Angry Robot)
  • Shigidi and the Brass Head of Obalufon, Wole Talabi (Gollancz)

Best Shorter Fiction (for novelettes and novellas)

  • WINNER: And Put Away Childish Things, Adrian Tchaikovsky (Rebellion)
  • Broken Paradise, Eugen Bacon (Luna)
  • I Am AI, Ai Jiang (Shortwave)
  • Europa, Allen Stroud (Flame Tree)
  • “Knotted Thorn”, Kari Sperring (The Book of Gaheris)

Best Short Fiction

  • WINNER: “How to Raise a Kraken in Your Bathtub”, P. Djèlí Clark (Uncanny 1-2/23)
  • “Copper”, Jendia Gammon (Interzone 295)
  • “The Spoil Heap”, Fiona Moore (Clarkesworld 3/23)
  • “Lady Koi Koi: A Book Report”, Suyi Davies Okungbowa (Apex 6/20/23)
  • “A Little Seasoning”, Neil Williamson (Interzone Digital)

Best Collection (for collections and anthologies)

  • WINNER: The Best of British Science Fiction 2022, Donna Scott, ed. (Newcon)
  • Strange Attractors, Jaine Fenn (Newcon)
  • No One Will Come Back for Us, Premee Mohamed (Undertow)
  • Mothersound: The Sauútiverse Anthology, Wole Talabi, ed. (Android)
  • Best of World SF: Volume 3, Lavie Tidhar, ed. (Bloomsbury)

Best Fiction for Young Readers

  • WINNER: The Library of Broken Worlds, Alaya Dawn Johnson (Harpercollins)
  • The Inn at the Amethyst Lantern, J. Dianne Dotson (Android)
  • A Song of Salvation, Alechia Dow (Inkyard)
  • Mindbreaker, Kate Dylan (Hodder & Stoughton)
  • We Who Are Forged in Fire, Kate Murray (Hardie Grant)

Best Non-Fiction (Long)

  • WINNER: A Traveller in Time: The Critical Practice of Maureen Kincaid Speller, Nina Allan, ed. (Luna)
  • Spec Fic for Newbies: A Beginner’s Guide to Writing Subgenres of Science Fiction, Fantasy, and Horror, Tiffani Angus & Val Nolan (Luna)
  • All These Worlds, Niall Harrison (Briardene)
  • Ex Marginalia: Essays on Writing Speculative Fiction by Persons of Color, Chinelo Onwualu, ed. (Hydra House)
  • “The Female Man”, Farah Mendlesohn (Eastercon talk)

Best Non-Fiction (Short)

  • WINNER: “Project Management Lessons from Rogue One”, Fiona Moore (adoctorofmanythings.wordpress.com)
  • “Dominant Themes in Afro-Centric Fiction”, Eugen Bacon (Aurealis 158)
  • “Weaving the Rainbow: Worldbuilding and SF”, Gautam Bhatia (Bombay Literary Magazine 4/23)
  • “Exposition Tax: The hidden burden of writing from the margins”, Suyi Davies Okungbowa (Ex Marginalia)
  • “Tech Billionaires Need to Stop Trying to Make the Science Fiction They Grew Up on Real”, Charles Stross (Scientific American 12/20/23)
  • “Prisoners in the Temple of the Muses”, Wole Talabi (Ancillary Review of Books 8/17/23)

Best Translated Short Fiction

  • WINNER: “Vanishing Tracks in the Sand”, Jana Bianchi, translated by Rachael Amoruso (The Bright Mirror)
  • “Bacterial”, Marcelo Cohen, translated by Kit Maude (Samovar 10/23/23)
  • “Retreat from the World Outside”, Gabriela Damian Miravete, translated by Adrian Demopulos (They Will Dream in the Garden)
  • “The Unknown Painter”, Henry Lion Oldie, translated by Alex Shvartsman, (Future SF 1/23/23)
  • “A Pilgrimage to Memories Tattooed”, Elena Pavlova, translated by Elena Pavlova & Desislava Sivilova (Samovar 6/26/23)
  • “My Guy”, Izumi Suzuki, translated by Sam Bett (Hit Parade of Tears)

Best Artwork

  • WINNER: Leo Nickolls for the cover of The Surviving Sky by Krikita H. Rao (Titan)
  • Elena Betti for the cover of Danged Black Thing by Eugen Bacon (Apex)
  • Christine Kim for the cover of Jewel Box: Stories by E. Lily Yu (Erewhon)
  • Julia Lloyd for the cover of Descendent Machine by Gareth L. Powell (Titan)
  • Juliana Pinho for the cover of “The Alphabet of Pinaa: An AI Reinvents Zerself on an Inhabited Moon” by Eugen Bacon (Interzone Digital)
  • Vinayak Varma for illustrations for “Strung Along in Seaforth” by Jonathan Laidlow (Interzone 295)

Best Audio Fiction

  • WINNER: The Dex Legacy, Emily Inkpen (www.thedexlagacy.com)
  • “When a Portal Comes Around”, Rick Danforth (Upbeat Tales 9/23)
  • “Carlos Explained”, Joseph Fink & Jeffrey Cranor (Welcome to Night Vale 7/14/23)
  • Simultaneous Times Podcast, Episode 67, Jenna Hanchey & Abigail Guerrero (Space Cowboy)
  • “The Pigeon”, Michelle Knudsen (Drabblecast 7/21/23)
2023 BSFA Awards Winners
2023 BSFA Awards Winners

Published in Analog!

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“Where the Buffalo Cars Roam” in the July/August 2022 issue of Analog

I’m thrilled to have had my first ever story published in Analog Science Fiction & Fact magazine. It’s called “Where the Buffalo Cars Roam” and is set in a post-apocalyptic future where small enclaves of people live a rural, make-do-and-mend kind of existence. It’s a long way from the technological wonders of times gone by. The oldest generation can still remember how it used to be, back when there were things like semi-sentient, autonomous, solar-powered vehicles driving people around. While much of that society has crumbled and decayed, it’s rumoured a few autonomous vehicles have survived and run wild along the deserted roads. Joel remembers his father’s stories about what such cars were capable of: dangerous, feral machines, not afraid to kill. In trying to live up to his father’s memory as a talented engineer and practical handyman, Joel is forced to confront his fears once more in order to survive.

The story has been out for a couple of weeks so I’m also delighted to have received such positive feedback on it from various readers and reviewers. I think it’s always quite difficult for authors to be impartial about a story’s qualities (or lack thereof) so feedback from others is so vital.

I’ve been reading Analog for more years than I care to remember. Right from my earliest days of dreaming of being a writer, I’ve always played a particular what-if game. What if one day I managed to get a story published in Analog – a magazine that has published so many of my favourite authors over the years – and now I have!

I’m hoping this will be the start of further publications in Analog and other high prestige venues but that rather depends on me getting off my backside and putting pen to paper (or fingers to keyboard). But first I’m going to take a brief moment to enjoy this feeling – because I think that’s what life’s all about after all, making the most of the here and now.